Reel Chronicles

255: The Exorcist: 50th Anniversary

[powerpress] Spooky Season has arrived! The next two months of podcasts will be filled with anniversaries and drafts to celebrate the most wonderful time of the year. With October in full swing,  the guys celebrate […]

3.5 Reels

Avatar: The Way of Water

James Cameron is one of this generation’s most innovative filmmakers. Cameron has revolutionized the industry throughout his career with technological advances in both practical and visual effects. Going back to the T-800 in 1984’s The Terminator to […]

3.5 Reels

The Fabelmans

To borrow a term from “The Rewatchables,” Steven Spielberg’s “Apex Mountain” can be seen spread throughout multiple decades. From the creation of the “Summer Blockbuster” with Jaws in the ’70s to one of the most influential sci-fi […]

3.5 Reels

NYFF60: She Said

Over the past few years, the Harvey Weinstein sexual harassment scandal has been a talking point in the film industry. The gathered evidence against the Hollywood titan assisted in kick-starting the #MeToo movement. One that […]

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MFF22: The Whale

Going into 2022, one of the year’s most anticipated films was one that I was hesitant to embrace fully. The subject matter in Darren Aronofsky’s The Whale hits home in multiple facets; however, as a fan of […]

3.5 Reels

NYFF60: EO

I’m guilty of not being a massive fan of films from an animal perspective or those dealing with animals. It’s a crude statement that stems from very simplistic reasoning. Animal cruelty and deaths on screen […]

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NYFF60: TÁR

Over the past 16 years, cinephiles have wondered when Todd Field would direct his next film. With his first two films, In The Bedroom and Little Children, Field established himself as one of the finest directors working today. However, […]

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NYFF60: Bones and All

Luca Guadagnino has had quite an exciting run since 2017. Call Me By Your Name is viewed by many as the best film of 2017 and one I consider pretty good. Unfortunately, after the film’s critical […]

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NYFF60: Decision to Leave

South Korean director Park Chan-wook has been recognized as one of the best directors. It’s hard to deny with films such as Thirst, The Handmaiden, and his masterpiece Oldboy. With such an impressive trifecta that solidifies Chan-wook as one […]

Aftersun
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NYFF60: Aftersun

Since the Cannes Film Festival concluded, one of the most talked about films has been Aftersun, the directorial debut of Charlotte Wells. After its premiere and winning the French Touch Jury Prize at the festival, the film […]

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Terrifier 2

2022 has been quite the year for the horror genre. With films like X, Pearl, The Black Phone, Barbarian, Nope, and Hatching entering our cinematic stratosphere, the genre has never felt richer with great movies. Finally, the spooky season […]

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Clerks III

Following his debut release, Clerks, Kevin Smith became an indy darling and the talk of the industry as a filmmaker to look out for. Since, Smith has crafted a filmography that is either hit or […]

Film News

ICYMI: RESURRECTION

There is no denying that Rebecca Hall is on fire. Hall had her directorial debut at last year’s Sundance Film Festival with Passing and gave one of the most underrated performances of 2021 in The Night House; an understated, […]

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Elvis

Throughout my time as a cinephile, Baz Luhrmann has never been a director I’ve fully vibed with. Outside of Romeo + Juliet, the director’s filmography is one I’d often run from revisiting. However, Elvis Presley has been an […]

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Tribeca 2022: It Ain’t Over

This year’s Tribeca Film Festival offered an array of documentaries, and one, in particular, blended my passion for both film and sports. As an avid New York Yankees fan for more than 25 years, it’s […]

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Father of the Bride

Over the past 72 years, cinephiles have been privy to a few iterations of Father of the Bride. Starting in 1950, Spencer Tracy and Elizabeth Taylor starred in the critically and commercially successful film that sparked not […]

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Tribeca 2022: Lynch/Oz

Over the past two years, I’ve become incredibly intrigued by the works of Academy Award-nominated director David Lynch. During the COVID-19 pandemic, after years of accepting it as a blind spot in my palette, I […]

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Lightyear

Over the past 27 years, Toy Story has remained one of my favorite film franchises. Since its initial entry and Pixar Animation Studios debut in 1995, every entry in the series have been near masterpieces and some […]

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Crimes of the Future

David Cronenberg has one of the most unique resumes of any director of the past six decades. Cronenberg has directed some of the most intriguing crime dramas, Eastern Promises and A History of Violence, but he’s also one of […]

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Hatching

With the shift in the tone of horror films over the past few years, elevated horror has become the go-to for the genre. With high horror comes metaphors or themes wrapped under the surface-level plots […]

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Top Gun: Maverick

Legacy sequels have been around for quite some time. Going back to the ’80s, Academy Award winner Martin Scorcese’s The Color of Money brought Eddie “Fast Eddie” Felson (Paul Newman) out of retirement in a sequel […]

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The Northman

Since his debut film, The VVitch, in 2015, Robert Eggers has cemented himself as one of the most intriguing and unique directors working today. With its cerebral pacing and spine tingling finale, Eggers captured cinephiles’ attention and […]

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SXSW 2022: The Prank

Rita Moreno is one of Hollywood’s most beloved actresses. Throughout her career, the Academy Award winner has assembled quite the resume. 2021 was quite the year for the actress, with a documentary chronicling her life […]

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SXSW 2022: The Lost City

As a 35-year-old, it’s hard to remember a time when action romantic comedy was not a part of my cinematic zeitgeist. Unfortunately, despite the popularity of this sub-genre, in 2022, it becomes pretty tricky for […]

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SXSW 2022: X

I have unabashedly touted my love for horror and slashers over the years. Whether it be the brilliance of John Carpenter films to the B-level horror classics of the ’70s and ’80s to the most […]

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Turning Red

When it comes to a Disney/Pixar collaboration, the question is never if the film will be good, but how good is it. With the studio’s release of  Turning Red this week, Disney/Pixar lives up to that reputation […]

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Sundance 2022: Emily the Criminal

Over the past few years, Aubrey Plaza has become one of the most unique actresses working today. Plaza has consistently challenged herself with interesting and against-type roles, including her previous film at the Sundance Film […]

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Sundance 2022: Dual

Despite its uneventful finale, Dual is a film that, once discovered, will undoubtedly create a discourse for fan theories and conversations about the true meaning of Stearns’ film. […]

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Sundance 2022: Resurrection

There is no denying that Rebecca Hall is on fire. Hall had her directorial debut at last year’s Sundance Film Festival with Passing and gave one of the most underrated performances of 2021 in The Night […]

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Spider-Man: No Way Home

Before the inception of the Marvel Cinematic Universe, there is little denying that the most significant success for Marvel was Spider-Man. Starting in 2002, the Sam Raimi-directed film became the highest-grossing opening weekend of all time and […]

No Picture
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ICYMI: The Novice

With the release of one of the best films of the year, The Novice, here is my review of the film from this years Tribeca Film Festival. A competitive spirit is one that I’ve held onto throughout […]

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West Side Story

The idea of remaking iconic Best Picture winners is not a foreign concept. Over the years, remakes of beloved classics and staples of the Academy Awards have received the remake treatment. Films such as Mutiny on […]

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House of Gucci

Ridley Scott has had quite a year. The acclaimed director has had two of the most talked-about releases among cinephiles, The Last Duel and House of Gucci. One being a callback to some of the best films of […]

spencer
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Spencer

Lady Diana Spencer’s life has been one of the most adapted to TV/film from documentaries, movies, and, most recently, the fourth season of The Crown. Now add in, Pablo Larraín’s Spencer. A haunting, melancholy triumph that […]